Forum: What resolution should I use in SAI? I seems everyone is just going to give you print quality but what I read is not asking print quality art but internet quality art, which is very different, because not everyone can see the images right away because they have cheap DSL that takes a while to view large images, and in many cases their downloading programs will stop in 6 hours because the download was too slow. The problem was, in fact, that I'm using 2 monitors. So, I've got some problems with it's disposition. Once I began to use one above other and i've changed it to side by side, the filter window kept in the same. Hollow Skip Danna When i download Paint tool sai, my anti virus says 'Threat detected'. There is nothing more awesome than arting with a. Paint Tool Sai For Macbook. Speed Test is a meter that monitors your entire system. She was running 2 monitors. They both use Easy Paint Tool SAI exclusively, so I opened this and tested it. It worked, but with no pressure sensitivity. It works wonders with Sai Painter tool and.
Free download paint tool sai extended Files at Software Informer. Paint Tool SAI 1.2.0.1. This tool creates a second taskbar which will be put on extended monitors.When I had DSL I had that problem a lot. I had to ask everyone in the house to not shut the computers down so I could download something important, like Microsoft Office that only has a key code and the software needs to be installed from online. If you want the art to look better for all size screens then you might need many sized versions and offer a selection of sizes to be viewed. I have widescreen art, tall art and any sizes I like but for the internet I have different size versions so people can see each art at full screen. It is hard to see the artwork if they can only see little areas at a time, and it is not very wise to display large artworks people can download and print and sell on e. Bay. Just show them what you want them to see. I do a lot of websites or I did before I started getting some degrees at college. I used the image size 1. If the screen size is 1. I would make the height of the image fit and every section of the website would expand to fill the width. This was before a lot of wide screen monitors, so now a lot of larger backgrounds needs changed to function better. You can't really plan for the future, just do the best you can for now and not worry about everyone because there are too many old computer running with a large variety of monitor types, monitor sizes, and monitor proportions. Like backlit, plasma screens, widescreens, and nothing you can do about it. You just display your stuff the best way for you and let other people decide how they want to see everything. Sai is like a lot of programs with layers so you can keep the line art over the cell color. This means you can use a hard brush to draw in the colors under the line. Areas where lines are in the cells is easier to draw under the line art because you don't need to stop the color under the line.
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Van Morrison-Fast Train (Down The Road). Solomon Burke- Fast Train - Duration. Solomon Burke-'Fast Train' from 'Don't Give Up on Me' - Duration.Nashville - Solomon Burke . Nashville was recorded in Music City with producer Buddy Miller and a slew of guests who include duet partners Emmylou Harris, Dolly Parton, Patty Griffin, and Gillian Welch, as well instrumental talent that features Brady Blade, Byron House, Miller, Al Perkins, Garry Tallent, Mickey Raphael, David Rawlings, Sam Bush, Phil Madeira, and many others. The set opens with a stripped to the bone version of Tom T. Burke's big, crackling throaty baritone makes the song, which has been covered by everyone from Bobby Bare, Bill Haley, and Rosanne Cash to Scott Walker, Lee Hazlewood, and Ben Vaughn. Miller lets the slow, earthy cracks in Burke's voice resonate deeply. Find album reviews, stream songs, credits and award information for Make Do with What You Got - Solomon Burke on AllMusic. The spare approach of Don't Give Up on Me has been abandoned in favor of a high-gloss production. 2002-Solomon Burke — Don't Give Up On Me : Other > Unsorted: 291 MB: 0: 0. Album of the Month Club. God Don't Never Change. Solomon Burke: Don't Give Up on Me: September 2002: Aimee Mann: Lost in Space. Four years after the stellar and eclectic Don't Give Up on Me from 2002, which won a Grammy, Solomon Burke returns with another surprise. Nashville was recorded in Music City with producer Buddy Miller and a slew of guests who. 2002-Solomon Burke — Don't Give Up On Me : Other : 291 MB : 0 : 0. The duet with Parton on her . Al Perkins' pedal steel floats around the pair as they trade lines and harmonize. With excellent backing vocals from Ann Mc. Crary and Gale West, this is a true melding of the country and soul traditions. Perkins' dobro, the slippery brushed drums that shuffle in overdrive and fiddle, and Tallent's standup bass take the thing back into the woods and never let it out. And it just goes from here. But that backing is a bit stiff; it would have worked better without any, but it's Burke's killer voice that brings the real sadness in the tune to bear at the listener's door. Burke can really do the weepers, as further evidenced by his reading of Don Williams' . Here again, Burke proves that he can do the tradition without schmaltz. There is great power in his voice as he allows the lyrics to penetrate him and then projects them as his own. This song, too, becomes so rooted in the blues and Memphis soul that it might shock Williams to hear it. This is a duets record that should happen. She can sing anything, and her manner of countering Burke's throaty R& B moan brings out the depths of gospel. The pairing with Harris on George Jones' . Harris does the same thing on every single recording she's appeared on for the last decade. 2002-Solomon Burke — Don't Give Up On Me Jan 2011 717 MB 9 Files 0 . Solomon Burke - Cry To Me x5-Karaoke (req) 4 Tojo1969. In addition, the instrumentation feels ragged and out of balance. The set ends with Larry Henley and Red Lane's . Burke is at a place in his long career where he has nothing to lose. His restlessness and willingness to stretch himself is far different than say Rod Stewart attempting all those horrifying volumes of the Great American songbook. Burke fully inhabits what he sings. His performances are precise in that they bring out every single lyrical nuance as an extension of soul. This is a keeper, one of those records that you'll still be listening to in ten years. Download Solomon burke – from the heart files. Our goal is to provide high- quality video, TV streams, music, software, documents or any other shared files for free! If you have any other trouble downloading solomon burke – from the heart post it in comments and our support team or a community member will help you! Displaying East Asian Characters in Report PDF Output. In order to correctly display East Asian Characters such as Chinese and Japanese in report PDF output, user needs to make sure: Use a font type that is capable of displaying East Asian characters. User can download and use Arial Unicode font jar for this purpose. Put the font jar file in your application class path so that JVM can pick it up and use the font when report PDF output is generated. In i. Report Designer, it needs to be added to the classpath. For Jasper. Reports Server, it needs to be placed under japserserver- pro/WEB- INF/lib directory. It is important to understand that the font jar file is needed for both Jasper. Reports Print object creation and report export process. If users use their application to run report to get Jasper. Reports print object through Jasper. Reports Server web services request and do report export in their application, they need to make sure the font jar is in their application JVM. In report template, usefont. Name=. For Ad. Hoc report font issue, users will have to apply customization to Ad. Hoc report theme templates and other UI components to make it work in both Ad. Hoc report unit and in its Designer. We recommend users to engage Jaspersoft Professional Services for assistance for issues involving complex customization efforts.(TTC/2. Arial Unicode MS font missing. Ever since I upgraded to Office 3. I'm getting an error when I try and save a drawing as a PDF. It says the Arial Unicode MS font is missing and I should check the Solid. Works help for how to install it. That's this page,2.
SOLIDWORKS Help - Installing Arial Font. And it says to go into programs and features and change the office installation to add the font. But office 3. 65 doesn't include that font so that's a dead end. So I would have to pay for the font if I wanted it. My problem is that I don't have any non- english characters in my drawings which is what it says that font is used for. So why should Solid. Works be asking for it? I did a little diagnostics and found if I save a blank drawing as pdf then it doesn't show the error, and I can add text notes to the drawing and it's still fine. But once I add a drawing view I get the warning. Doesn't make any sense. It does it for every different part file that I've tried so far. Next message: Kenneth Whistler: 'Re: Chinese 'departing' tone marks' Previous message: Edward H Trager: 'Re: Problem with Arial Unicode MS font for BOLD/ITALICS in PDF' Maybe in reply to: Jain, Pankaj (MED, TCS): 'Problem with. I am generating the PDF using XSLFO/FOP and Arial Unicode MS font for Global languages.And during Implementation I found that Bold/Italics character are not appearing in bold/Italic in PDF which was coming properly perfect. Bei der Canon A- 1 handelte es sich um die erste Kleinbild- Spiegelreflexkamera mit einer 7- Segment- LED- Anzeige im Sucher f. Davon abgeleitet war die AL- 1, sie wies als Vorbote der Autofokus- Kameras bereits eine elektronische Scharfeinstellhilfe auf. Die Canon A- Serie wurde ab 1. Canon T- Serie abgel. Nach 1. 97. 0 konnte man mit dem Canon FD- Bajonett und der Canon FTb schon ein wenig aufholen, den Schritt zum Marktf. Canon Ae 1 Program Wikipedia EspañolDabei spielte das bei vielen Fotografen vorhandene Misstrauen gegen. So konnte man mit sehr wenig Teilen auskommen und die Kamera zu einem g. Diese bestand vor allem aus Annoncen in Illustrierten und Fachzeitschriften. Die Mikroprozessorsteuerung hielt . Als modernes System gab es zudem ein Systemblitzger. Stattdessen befand sich, so vorhanden, in Kamerablickrichtung links vom Objektiv ein Schieber zum Abblenden, den ein federbelasteter Knopf arretierte. Die A- 1 war immer in Schwarz gehalten, die AT- 1 immer in Silber, die . Die Sucherscheibe war unterschiedlich gestaltet, der Suchereinblick konnte bei der A- 1 mit einem Hebel geschlossen, sonst mit einem Kunststoffschieber zugeh. Als Sensor kam mit Ausnahme der AT- 1 eine Siliziumzelle zum Einsatz. Die gesamte Elektronik war mit flexiblen Leiterplatten aufgebaut. Alle Kameras besa. Nur die durch den Mikroprozessor bestimmte l. Den stets vorhandenen Selbstausl. Er hatte an allen Kameras 1. Vorlaufzeit, an der A- 1 zus. Bei der Canon A-Serie handelte es sich um die sechs Kleinbild-Spiegelreflexkameras mit Canon FD-Bajonett mit den Bezeichnungen AE-1, AT-1, A-1, AV-1, AE-1 Program und AL-1. Dazu war in ihm ein kleiner Blitz eingebaut, der . Mit einem dreistufigen Schalter musste der passende Filmempfindlichkeitsbereich gew. The AE-1 was the first in what became a complete overhaul of Canon's line of SLRs. The 70s and 80s were an era of intense competition between the major Japanese SLR brands: Canon, Nikon, Minolta, Pentax and Olympus. Der Unternehmensname (Firma) Canon (. Juni 1935 angemeldet wurde, leitet sich wohl von der Bezeichnung des ersten Kameraprototyps The Canon AE-1 Program is a 35 mm single-lens reflex camera that uses Canon's FD mount lenses. It was introduced in 1981 as the successor to the Canon AE-1, five years after that camera's introduction. The major difference was. Comme celui-ci, il dispose d'une cellule int Canon Ae 1 Program Wikipedia EnglishDabei standen elf Jahreszahlen zur Verf. Er wurde am Stativgewinde unter die Kamera geschraubt. Dazu wurde ein kleiner Schraubdeckel in der Bodenplatte der Kamera abgenommen, der deren mechanische Transportkupplung abdeckte. Der Deckel konnte in einer daf. Der Antrieb lief mit vier Mignonzellen in einem abnehmbaren Batteriefach, das auch separat erh. Kamera angeschlossen wurde. Als einziges Bedienelement war am Power Winder A ein Ein- Aus- Schalter vorhanden, so dass der Film bei Bedarf auch manuell transportiert werden konnte. Eine rote LED diente als Warnsignal, wenn der Filmtransport blockierte - etwa am Filmende. Der Power Winder A verl. Ein Schalter erlaubte die Wahl zwischen Aufnahmeserien (Kamera l. Eine rote LED warnte bei blockiertem Filmtransport, etwa am Filmende. Die Stromversorgung bestand weiterhin aus vier Mignonzellen, die sich aber nicht mehr in einem abnehmbaren Beh. Auch der Power Winder A2 konnte an alle Kameras der A- Serie angeschlossen werden. Der MA bestand im Wesentlichen aus einer d. Zum Ansetzen an die Kamera wurde die kameraseitige Abdeckung der Transportkupplung entfernt, wie auch die bei A- 1 und AE- 1 Program serienm. Dort befand sich nach dem Ansetzen des Motors dessen Handgriff. Unter das eigentliche Motorteil wurde entweder das Batterieteil MA oder das NC- Teil MA eingerastet. Ebenso war ein zweiter Ausl. Das Batterieteil verf. Sein Batteriemagazin nahm 1. Mignonzellen auf und erm. AE- 1 Program. Die schon bei den Windern erw. Sie befand sich links von Objektiv hinter einer T. Ohne eingelegte Batterie konnte dabei nicht ausgel. Weil es auch unter Amateuren noch als sehr gro. Ein angeschlossener Systemblitz stellte die Kamera nach dem Einschalten automatisch auf 1/6. Belichtungszeit (au. Letzteres galt nicht f. Ihr Blitzschuh hatte nur einen Zusatzkontakt. Die Blitzbereitschaft wurde im Kamerasucher durch entsprechendes Ausschlagen der Messnadel angezeigt (AE- 1, AT- 1, AV- 1, AL- 1), bzw. Es hatte zwei Automatikbereiche, der gr. Der Reflektor des 1. A konnte nicht geschwenkt werden. Speedlite 1. 99. AMit der A- 1 erschien das Speedlite 1. A. Dieser Schalter war an den anderen A- Kameras wirkungslos. Das Speedlite 1. 99. A hatte die Leitzahl 3. ISO 1. 00/2. 1. Der Reflektor konnte bis 9. Sein Leuchtwinkel reichte f. Sie hatten aber kaum eine Bedeutung, nachdem auch Fremdhersteller wie Metz, Braun oder Sunpak Systemblitzger. Es kamen noch die Modelle 0. A, 1. 33. A, 1. 66. A, 1. 77. A, 1. 88. A, 5. 33. G und 5. G hinzu, mit den Leitzahlen 1. ISO 1. 00/2. 1. Die G- Modelle waren Stabblitzger. Das 2. 99. T bot etwa eine gro. DM, dieser Preis fiel nach Erscheinen der A- 1 auf ca. Es wurden in etwa 5 Mio. Exemplare verkauft. Der Mikroprozessor w. Dieser in I2. L- Technik aufgebaute Prozessor umfasste . Die Stromversorgung war nur eingeschaltet w. Letztere hatte die gleiche Funktion und befand sich in Kamerablickrichtung seitlich links am Bajonettsockel. Im Sucher befinden sich die Anzeigen, ein Zeigerinstrument und zwei Leuchtdioden, neben dem rechten Bildrand. Das Instrument gab den von der Kamera ermittelten Blendenwert an, eine rote Leuchtdiode darunter warnte vor Unterbelichtung und ein von der zweiten Diode ebenfalls rot beleuchtetes M dar. Mit zunehmender Ersch. Erreichte er die 5,6 (dort befand sich eine kleine Markierung), galt die Batterie als ersch. Sie lief noch vor der AE- 1 aus und hatte keinen Nachfolger mehr, es handelte sich um die letzte Spiegelreflexkamera mit nur halbautomatischer Belichtungssteuerung im Canon- Programm. DM weniger als die AE- 1. Die AT- 1 ist nicht auf dem japanischen Markt angeboten worden. Geh. Es fehlten aber die beiden Tasten f. Im Gegensatz zur AE- 1 kam keine Silizium- sondern eine Cd. S- Zelle zum Einsatz. Solch eine Zelle kam ohne Messverst. Die beiden Tasten am Bajonettsockel f. Dieser befand sich um der R. Genau wie diese kostete sie mit dem Normalobjektiv 5. DM. Sucher. Der Sucher bot ein f. Solch eine Anzeige kam erstmals an einer Kleinbild- Spiegelreflexkamera vor, lediglich die Anzeige nur der Verschlusszeit mit 7- Segment- Anzeige gab es zuvor schon bei der allerdings wenig verbreiteten Fujica ST- 9. Einstellscheiben. Vom Werksservice konnten folgende Einstellscheiben eingebaut werden. Standard war die Scheibe E: Typ A: Mikroprismenraster. Typ B: Schnittbildindikator. Typ C: Vollmattscheibe. Typ D: Gittermattscheibe. Typ E: Mikroprismenring und Schnittbildindikator. Typ G: Mikroprismenraster f. Wie bei der Blendenautomatik befand sich dabei der Blendenring des Objektivs in der Automatik- Stellung. Der Wahlhebel an der Kamera stand auf Av (aperture value) und das Fenster des Blenden- /Zeitenrads zeigte die Blendenwerte, welche sich wie gewohnt in halben Stufen einstellen lie. Im Sucher wurde nun nur noch die Verschlusszeit angezeigt. Bei nicht gedr. Es handelte sich um ein Einsteigermodell, das etwas preisg. Sie kostete genauso viel wie die AT- 1. Geh. Am Bajonettsockel gab es nur die Taste f. Auch befand sich ein Zeigerinstrument neben dem rechten Bildrand, es gab die Belichtungszeit von 2 s bis 1/1. Leuchtdioden hingegen gab es keine im Sucher. Belichtungssteuerung. Bei der AV- 1 handelte es sich um einen Zeitautomaten. Dies sparte einen Servomotor ein, da keine Blenden. Der Blendenwert wurde wie bei der AT- 1 am Objektiv eingestellt und dabei vom Blendensimulator auf die Kamera . Andere Zeiten konnte man nicht manuell einstellen. Dies verhielt sich beispielsweise bei der Nikon EM oder der Asahi Pentax ME ebenso, es handelte sich aber um die erste Canon- Spiegelreflexkamera ohne frei einstellbare Belichtungszeiten. Die Belichtungszeit wurde von der Kamera zwischen 2 s und 1/1. Insbesondere lag das Verschlusszeitenrad nicht mehr auf einer Achse mit dem Filmtransporthebel. Sucher. Die Anzeigen befanden sich genau wie bei der AE- 1 neben dem rechten Bildrand im Sucher, allerdings gab es kein Zeigerinstrument mehr, sondern . Von unten nach oben waren dies ein Blitzsymbol, die Ziffern 1; 1,4; 2; 2,8; 4; 5,6; 8; 1. Buchstaben P f. Dazu lag den Scheiben ein kleines Werkzeug bei. Die Scheibe E war Standard. Typ A: Mikroprismenraster. Typ B: Schnittbildindikator. Typ C: Vollmattscheibe. Typ D: Gittermattscheibe. Typ E: Mikroprismenring und Schnittbildindikator. Typ H: Messskalenkreuz. Typ I: Doppelfadenkreuz. Typ L: Kreuz- Schnittbildindikator. Mit der AE- 1 Program wurde ein neuer Schnittbildindikator eingef. Im Gegensatz zu konventionellen Typen dunkelten die Schnittbidh. Sie funktionierte genau wie bei der A- 1: Am Verschlusszeitenrad folgte der 1/1. Stellung. Sie hatte keine nennenswerte Bedeutung, erlaubte es Canon aber schon einmal Erfahrungen mit einem Entfernungsmesssystem zu sammeln. Die Kamera baute auf der AV- 1 auf, von der sie sich vor allem durch die Quick Focus genannte Scharfeinstellhilfe unterschied. Geh. Neben dem rechten Bildrand befand sich das von der AV- 1 bekannte Zeigerinstrument, auf dem unteren Bildrand die drei Leuchtdioden f. Stand die Fokussierung vollkommen falsch, dann musste zuerst solange an der Entfernungseinstellung gedreht werden, bis eine LED leuchtete. Funktionsweise. Das System funktionierte mit einem speziellen Spiegel, auf den Linien aufgebracht waren, die Licht durchlie. Dahinter befand sich ein kleiner Hilfsspiegel, der sich beim Hochklappen des Hauptspiegels an diesen legte, damit er beim Belichten des Films nicht im Weg stand. Der Hilfsspiegel leitete die Lichtstrahlen auf die CCD- Sensoren unten im Spiegelkasten, welche die Fokussierung bestimmten. Dazu teilte ein Strahlteiler das Lichtb. Der mittlere Teil legte zum Sensor die gleiche Entfernung zur. Die anderen beiden Strahlen legten eine k. Ursache ist die Spiegelbremse, welche den Schwingvorgang des Spiegels abbremst, damit er vibrationsarm an die untere Begrenzung anschl. Wird die Kamera nicht regelm. Abhilfe schafft die Zufuhr von etwas Schmier. Eine Reparaturanleitung ist im Internet zu finden. Laterna magica 1. ISBN 3- 8. 74. 67- 1. Ludwig Kn. Fisher Publishing, Tucson 1. ISBN 0- 9. 12. 65.
Robot Check. Enter the characters you see below. Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. The Licensing Act 2003 March 2015. 1.1 The Licensing Act 2003 (referred to in this Guidance as the 2003 Act), its explanatory notes and any statutory instruments made under it may be viewed online at. COMMUNICATIONS ACT 2003. EXPLANATORY NOTES : INTRODUCTION. LICENSING COMMITTEE Explanatory Note The Licensing Committee is responsible for discharging the Council’s functions under the Licensing Act 2003. Comprar Licensing Act 2003: Explanatory Notes (Public General Acts - Elizabeth II)de The Stationery Office. Publicado por Stationery Office Books. QuestBridge College Prep Scholars Program will provide. Summer: Continue working on application for the National College Match College Prep Scholars Program Application deadline College Prep Scholars selected application opens. 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CNN reports that according to the Kaiser Foundation's Employer Health Benefits 2008 Annual Survey. Employee wellness programs may be the key to cutting these costs. Wellness programs may not save employers money in the. The data covered seven years of the employer’s wellness program for nearly 200,000. Employers can save money over the long term by using financial wellness programs to improve the retirement readiness of. Financial Wellness Can Save Employers Money. Financial wellness programs take a more. Employee wellness programs help us save money on health-care costs. Brian Moynihan, CEO of Bank of America. Fitness class at Devon Energy FORTUNE — No question. But do wellness programs really save money? Quartz quartz India quartz Africa. Employees save money, get healthy with wellness programs. Pepsi. Co's workplace wellness program fails the bottom line - study. They aim, for instance, to help employees quit smoking, maintain a healthy weight and have regular screenings for elevated cholesterol, high blood pressure, cancer and other conditions, all of which are supposed to reduce healthcare spending. Half of U. S. Pepsi. Co's was introduced in 2. The programs are also a pillar of the Affordable Care Act (ACA), President Barack Obama's healthcare reform law. The ACA allows employers to reward workers who participate in wellness programs, and penalize those who refuse, with discounts or increases of as much as 3. That can be thousands of dollars per year. Some workers have objected to the programs because of the penalties. Others say workplace wellness efforts invade their privacy and promote poor medicine. But today's wellness programs move. Last year, for instance, faculty members at Pennsylvania State University rebelled against a workplace wellness program whose . They also protested its requirement that even healthy young adults receive frequent cholesterol and other screenings, which physicians recommend against, and the steep penalties for opting out: $1,2. They receive regular phone conversations with a nurse about managing the condition. Disease management produced healthcare savings of $1. When hypertension is well controlled, for instance, people are less likely to land in the hospital with a stroke. When asthmatics take their medication, they don't wind up in the ER unable to breathe. Pepsi. Co's disease management program . It includes a health risk assessment in which workers answer questions about such behavior as eating and exercise habits; smoking cessation programs; and educational materials and telephone sessions with a . But it did not explicitly assess the programs' effect on participants' health.). Last year, Mattke was the lead author of a RAND report that found that healthcare costs of workers who participated in such a program averaged $2. Neither difference was statistically significant. Researchers who are skeptical of wellness programs' benefits are concerned that the ACA - . ADP acquired a portion of SHPS.)(Editing by Douglas Royalty). Honeywell Aquastats , Aquastats , L4. Honeywell Aquastats , Honeywell Aquastats for Sale. We offer a large selection of Honeywell Aquastats at competitive prices. Honeywell Aquastats vary by setpoint temperatures, functionality, and attachment method. AQUASTAT CONTROL Functions Guide to the functions of a typical heating boiler combination control aquastat like the Honeywell R8182D, the Honeywell L8124A, and the. Honeywell Buy direct and save hundreds or thousands of dollars: Alpine Home Air. Peerless WBV Series Oil-fired Water Boiler W/Circulator & Tankless Coil WBV-04WPCTL 4 Sect 180K BTU. Usually ships in 5 days. 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And the best thing is that we are all working together, so thanks for making it possible. To celebrate, all bookings you make for Punto customers on 1. May, either through Vueling agencies or GDS, will get 1. For example, if the flight they book costs ? Invite them to join by providing their email for Punto, the same address you’ll use to identify them as passengers in the booking**2. Book any flight on our 1. May 2. 01. 4, to fly before 2.
June 2. 01. 4.* Fees and additional services not included** Remember: For bookings made through Vueling Agencies, you should use their email for Punto; for GDS bookings, you should use the FFId (Punto identification number), which is connected to the email for Punto that they use to sign up. To be able to record your customer’s Punto points or Avios, you must know the passenger’s Punto or Iberia Plus details and enter them when making the booking. Points/Avios may not be loaded later in any case. 9 of 17 people found this review useful. Was this review helpful to you? Ability to earn points Find the best Vueling Airlines deals and airfares at Flight Center! Call or visit one of our Flight Center stores today! Punto is the reward for your loyalty to Vueling. Every time you book with Vueling (among many other actions), you get points that you can exchange for flights. When processing a booking via GDS you must enter the Punto or Iberia Plus customer number by means of the following command: Amadeus: FFNIB- 1. P1 FFN TRANSACTION CODEIB PROGRAM IDENTIFIER (VY for Punto or IB for Iberia Plus)- 1. DASH, FREQUENT TRAVELLER IDENTIFIER/P1 SLASH, ASSOCIATED PASSENGER IDENTIFIER*Vueling does not support FQTS commands in Amadeus. Galileo: SI. SSRFQTVVYHK1/IB1. TEST/FQTV SI. SSRFQTV TRANSACTION CODE VY CARRIER CODE HK1 HK1/IB SLASH, PROGRAM IDENTIFIER (VY for Punto or IB for Iberia Plus)1. FREQUENT TRAVELLER IDENTIFIER- SURNAME DASH, ASSOCIATED PASSENGER SURNAME /NAME SLASH, ASSOCIATED PASSENGER NAME*Vueling does not support MM commands in Galileo. When processing a booking via the Agencies Website, during Step 2 (Passenger Details) of the purchase process you must select your customer’s loyalty programme and enter the email for the Punto account or the Iberia Plus code, depending on the selected programme. Bear in mind that it’s only possible to collect Iberia Plus points for Optima and Excellence fares. You can only collect Punto points for the Basic fare. |
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